Sunday, June 26, 2005

LeRoy Neiman, America's Cup Autographed (Serigraph)

I love sailing. LeRoy Neiman's, America's Cup Autographed- serigraph, captures the dynamics of great sailing.

What is a serigraph? Serigraphs are produced by hand pulling the fine art paper through the printing screen for each color. Each serigraph is produced under the close supervision of the artist. The time and effort required to produce a serigraph are much greater than most printing processes, which usually results in very low and collectible edition sizes.

LeRoy Neiman Art Gallery

Jack Vettriano, Shape of Things to Come

Shape of Things to Come is Vettriano's one of art pieces with the umbrella by the water theme.

Scottish painter, Jack Vettriano was born in 1953. His paintings have been met with great enthusiasm, where two of his images were the best selling art posters in Britain this year.
For his twenty-first birthday, a girlfriend gave him a set of watercolor paints. From that point on, he spent much of his spare time teaching himself to paint.

Jack Vettriano has emerged from the unlikely background of an early working life in the Scottish coal-fields to become one of Britain's best known contemporary artists. His work first came to public prominence at the Royal Scottish Academy open exhibition in 1988. Since then, there have been sell-out exhibitions in Edinburgh, London, Hong Kong, Johannesburg and New York.

Vettriano's style many times evokes feelings of seduction and betrayal and has been compared to some of the great realist painters of America and England. His images are a gateway to an alluring, yet sinister world; a timeless place where past and present intertwines. It is a world heavy on atmosphere evoking the great noir movies and novels of our time; the drama of men and women is played out in each canvas against a background of bars and clubs, seaside and racetracks, ballrooms and bedrooms. Vettriano sets the scene and invites the viewer to develop the narrative.

His most famous painting, The Singing Butler, was recently auctioned off at a record setting $1.3 million.

Jack Vettriano Art

Saturday, June 25, 2005

Arnold Friberg, The Prayer at Valley Forge

The Prayer at Valley Forge. No doubt you have seen this image before. It has become one of the more notable works of art in America. Originally painted in 1976 to honor our country's bi-centennial year, "The Prayer at Valley Forge" in the last 27 years has become increasingly cherished and recognized as a supreme 20th century masterpiece of patriotic American art. In it we feel the cold, the suffering, and the weight of the burden falling on the tall and lonely man, driving him to his knees there in the bitter snows of Valley Forge.

Arnold Friberg writes, "Since I was a boy, I have revered General Washington. At age twelve I drew what I thought a fine picture of him astride his white horse. Along with learning the American legend of his praying at Valley Forge, this deep inspiration of boyhood was never to leave me.

And so it was that I waited many years to picture him again, in prayer now, in the snow, dismounted from his strong horse - only this time in the full power and richness of oil colors.
To prepare for this painting, to insure accuracy in trees and landscape, I made a pilgrimage to Valley Forge, in the dead of winter. In the summer the place is filled with visitors. But now, in the snows of February, it was deserted, the wind moaning through the great trees - silent, lonely, cold. It was a cold that chilled to the bone, a cold that froze my fingers until I could no longer sketch nor even snap my camera.

To insure accuracy in man-made things, I sought out whatever museums, collections, libraries, or informed individuals could offer on horse gear or uniform. At the Smithsonian Military History Museum, I made minutely accurate sketches from the very uniform actually worn by Washington. As for facial likeness, I studied every portrait ever sketched, carved, or painted from life, but always keeping in mind how cold and rawboned he must have looked during that winter encampment. But such research, vital as it is, provides only physical facts. What I really tried for was, through the medium of paint, to recall the pain, the cold of that cruel winter of 1777-78.

I sought to pay tribute to the tall and heavy-burdened man who alone held our struggling nation together. For while the British grew fat and warm and well fed in Philadelphia, it was the man Washington who stayed with his starving and freezing army through that dreadful winter at Valley Forge. It was in desperation that he wrote to the governor of New Jersey, "Our sick naked, our well naked, our unfortunate men in captivity naked!" With his own countrymen indifferent to their condition, where else could he turn but to God?

It should be plain to anyone that this is a symbolic picture, rather than a historically recorded event. The well known American legend is without documenation. But from Washington's own words there can be no doubt of his deep and humble dependence upon whom he chose to call "that all wise and powerful Being on whom alone our success depends."

It is my hope that coming through this picture will once again whisper the spirit of Valley Forge, of suffering and devotion and pain, of liberty, and of the hand of God in the affairs of men."

Arnold Friberg Gallerry.

Vincent van Gogh. The Starry Night.

Vincent van Gogh. The Starry Night. Saint Rémy, June 1889. Oil on canvas, 29 x 36 1/4" (73.7 x 92.1 cm).

Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."
The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

Blog about artists and their art

I would like to start a blog to talk about artists and their art. Art is cool. Using art, artists are able to express themselves. As they express themselves by creating their art, we the observers get to enjoy it. This blog will be able to highlight lots of great artists and their pieces. I hope you will enjoy it.

Happy reading and browsing!